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- p52 : a play on light
- p52.2 : framed
- month 01 : framing
- month 02 : balance
- month 03 : lines
- month 04 : lens choice
- month 05 : aspect ratios and camera position
- month 06 : patterns & contrast
- month 07 : tonality
- month 09 : portraiture
- month 08 : color theory
- month 10 : complexity
- month 11 : classic rules of composition
- month 12 : creative techniques
- photographer’s choice
- p52.3 : perspectives
Creative Complexity : Filling the Frame
Welcome to Week Forty-One of p52.2 : Framed.
While the setting is often important in a photograph, sometimes our artistic intention is to draw full attention to our subject. Filling the frame edge to edge by moving closer, zooming in, or cropping the image in post-processing eliminates background distractions and forces the viewer to examine the subject in close detail. The technique can be used to great effect with a single subject occupying the entire frame, but we might also fill the composition with multiple elements, ensuring that there is a minimum of unused space within the borders. In a portrait, filling the frame with the subject—particularly close-ups of the face—can capture personality or mood that would get lost at more of a distance. Non-human subjects also benefit from this close inspection of all or part of the object, and filling the frame is often used in macro photography to isolate important details. While filling the frame is a compositional technique in itself, combining it with other techniques, such as repetition or rule of thirds, can lend even more impact to the image.
Our year-long collaborative blog project is dedicated to composition and artistry. Please click HERE to read more about our project. The gallery mosaic is randomly sorted every time you load the page so please Refresh the page in your browser to see a different view. Please click on the individual images to see a larger version on the artist’s website and, in some cases, a series of related images.